Christian Michael Wolff, Klaus Mertens, Accademia Daniel, Shalev Ad-El made "Meines Bleibens ist nicht hier: No. 3, Ich wandre fort nach meiner Ruh" available on October 2, 2015. The duration of Meines Bleibens ist nicht hier: No. 3, Ich wandre fort nach meiner Ruh is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Meines Bleibens ist nicht hier: No. 3, Ich wandre fort nach meiner Ruh's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 33 in Der Herr ist König: Baroque Bass Cantatas by Klaus Mertens, Accademia Daniel, Shalev Ad-El. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Meines Bleibens ist nicht hier: No. 3, Ich wandre fort nach meiner Ruh's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Meines Bleibens ist nicht hier: No. 3, Ich wandre fort nach meiner Ruh by Christian Michael Wolff, Klaus Mertens, Accademia Daniel, Shalev Ad-El is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 106 BPM | ||
Passacaglia | Johann Sebastian Bach, Clément Geoffroy, Loris Barrucand | D♭ Minor | 5 | 12A | 95 BPM | ||
Ouverture in G Minor: V. Fantaisie | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 2 | 4A | 103 BPM | ||
Partita in C Minor, HWV 444: IV. Gavotte | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4" | Johann Sebastian Bach, Antje Geusen, Sabine Fehlandt, Dorte Wetzel, Bernhard Forck | E Minor | 0 | 9A | 108 BPM | ||
Violin Sonata in D Minor, Op. 16 No. 12: I. Adagio - II. Allegro e presto - III. Vivace e largo - IV. Spiritoso - V. Aria. Allegro - VI. Veloce | Isabella Leonarda, Marcin Świątkiewicz, Rachel Podger | F♯ Minor | 0 | 11A | 123 BPM | ||
Alle roem is uitgesloten - Instrumentaal | Leander van der Steen, Marco den Toom, Rianne van Roon | C Minor | 2 | 5A | 93 BPM | ||
Guitar Quintet in D major, G. 448: IV. Fandango | Luigi Boccherini, Christophe Rousset, William Christie | F Minor | 1 | 4A | 172 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM |