Johann Bernhard Bach, L'Achéron, François Joubert-Caillet made "Ouverture in G Minor: V. Fantaisie" available on September 30, 2016. The duration of Ouverture in G Minor: V. Fantaisie is about 3 minutes long, at 3:11. Based on our data, "Ouverture in G Minor: V. Fantaisie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Bernhard Bach, L'Achéron, François Joubert-Caillet's "Johann Bernhard Bach: Ouvertures" album is number 20 out of 29. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Ouverture in G Minor: V. Fantaisie is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ouverture in G Minor: V. Fantaisie by Johann Bernhard Bach, L'Achéron, François Joubert-Caillet to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimæ antiquæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | ||
Ouverture in D Major: IV. Passepieds | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | C Major | 2 | 8B | 114 BPM | ||
Violin Sonata No. 1: III. Adagio | Francesco Maria Veracini, Rudiger Lotter, Axel Wolf, Kristin von der Goltz, Olga Watts | B Major | 0 | 1B | 106 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Variasjoner over Med Jesus vil eg fara: II. Var 1 | Knut Nystedt, Anders Eidsten Dahl | G Minor | 0 | 6A | 56 BPM | ||
Fantazia in D Minor a 3 (19) | Orlando Gibbons, L'Achéron, François Joubert-Caillet | C Major | 1 | 8B | 118 BPM | ||
Partita No. 5 in G Major, BWV 829: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Galliard | William Brade, The Royal Wind Music, Paul Leenhouts | A♭ Major | 1 | 4B | 75 BPM | ||
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM |