Gioachino Rossini, Isaiah Jackson, Victor von Halem, Berliner Symphoniker's 'The Barber of Seville, Act I: "La Calunnia e un Venticello"' came out on October 9, 2021. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "The Barber of Seville, Act I: "La Calunnia e un Venticello"" is a single. In terms of popularity, The Barber of Seville, Act I: "La Calunnia e un Venticello" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Barber of Seville, Act I: "La Calunnia e un Venticello" by Gioachino Rossini, Isaiah Jackson, Victor von Halem, Berliner Symphoniker is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Il barbiere di Siviglia / Act I: "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) | Gioachino Rossini, Teresa Berganza, Enzo Dara, Hermann Prey, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
3 Marches militaires, D. 733: Marche Militaire in D Major, Op. 51, No. 1 (Arr. Weninger) | Franz Schubert, Wiener Philharmoniker, Hans Knappertsbusch | D Major | 7 | 10B | 138 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Gopak from Sorochinsky Fair | Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon | G Major | 2 | 9B | 157 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM |