Francesco Cavalli, Michel Corboz, Agnès de Crouzat, Luciano Sgrizzi, English Bach Festival Baroque Orchestra's ' "Cavalli: Ercole amante, Act 4, Scene 2: "Zefri che gite" (Il Paggio)" was released on its scheduled release date, July 1, 1981. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 50 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Cavalli: Ercole amante, Act 4, Scene 2: "Zefri che gite" (Il Paggio) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cavalli: Ercole amante, Act 4, Scene 2: "Zefri che gite" (Il Paggio) by Francesco Cavalli, Michel Corboz, Agnès de Crouzat, Luciano Sgrizzi, English Bach Festival Baroque Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" | Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D♭ Major | 2 | 3B | 142 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Oreste, HWV A11 - Act 1: "Agitato da fiere tempeste" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | D♭ Major | 5 | 3B | 122 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Xerse, Act I Scene 10: Fiamma ch'accesa fu - Or ditemi, chi sete? - Live | Francesco Cavalli, Ekaterina Protsenko, Nicolo Donini, Orchestra Barocca Modo Antiquo, Federico Maria Sardelli | G Minor | 3 | 6A | 169 BPM | ||
Handel: Theodora, HWV 68, Act 2: "With Darkness Deep, as Is My Woe" (Theodora) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | E♭ Minor | 3 | 2A | 102 BPM | ||
La Bocanne primitive | Jacques Cordier, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 103 BPM |