"Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?"" by Pietro Mascagni, Luciano Pavarotti, Ida Bormida, Piero Cappuccilli, Julia Varady, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni was released on January 1, 1978. With this song being about 5 minutes long, at 5:11, "Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?"" by Pietro Mascagni, Luciano Pavarotti, Ida Bormida, Piero Cappuccilli, Julia Varady, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pietro Mascagni, Gianandrea Gavazzeni, Luciano Pavarotti, Julia Varady, Piero Cappuccilli, Ida Bormida, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra's "Mascagni: Cavalleria Rusticana" album is number 16 out of 16. Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?" by Pietro Mascagni, Luciano Pavarotti, Ida Bormida, Piero Cappuccilli, Julia Varady, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
L 1. Akt / Act 1 | Wiener Philharmoniker | E Major | 1 | 12B | 67 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo… | Renata Scotto, Luciano Pavarotti | A♭ Major | 0 | 4B | 167 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
Non t'amo più | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | B♭ Minor | 1 | 3A | 80 BPM | ||
William Tell: Overture | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 9 | 12B | 100 BPM | ||
Pagliacci / Act 1: "Nedda! Silvio!...E allor perché" | Ruggero Leoncavallo, Lorenzo Saccomani, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | D♭ Major | 2 | 3B | 68 BPM | ||
Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM |