Piero Cappuccilli, Fabio Armiliato's 'Quoniam' came out on February 15, 2011. With Quoniam being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Piero Cappuccilli's "Messa di Gloria" album is number 8 out of 18. In terms of popularity, Quoniam is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quoniam by Piero Cappuccilli, Fabio Armiliato to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliette, Act V: O ma femme! O ma bien-aimee | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 84 BPM | ||
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | ||
Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Kurt Böhme, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 132 BPM | ||
Rigoletto / Act 3: Un dì, se ben rammentomi | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | E Major | 1 | 12B | 126 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
Nabucco / Act 2: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 3 | 11A | 80 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
Donizetti: Roberto Devereux: L'ore trascorrono... | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM |