Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano's 'Andrea Chénier / Act 4: "Come un bel dì di maggio"' came out on January 1, 2010. The duration of Andrea Chénier / Act 4: "Come un bel dì di maggio" is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Andrea Chénier / Act 4: "Come un bel dì di maggio"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verismo Arias by Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. The song's track number on the album is #3 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Andrea Chénier / Act 4: "Come un bel dì di maggio" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Andrea Chénier / Act 4: "Come un bel dì di maggio" by Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Andrea Chénier / Act 4: "Come un bel dì di maggio" being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Irene, o L'Assedio di Messina / Act 2: "Ira del ciel" | Giovanni Pacini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A♭ Major | 4 | 4B | 107 BPM | ||
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
Così fan tutte, K. 588 / Act I: "E la fede delle femminine" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 111 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Selige Stunde, Op. 10, No. 2 | Alexander von Zemlinsky, Jonas Kaufmann, Helmut Deutsch | F♯ Major | 0 | 2B | 99 BPM | ||
Fedora / Act 2: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 123 BPM | ||
Massenet: Manon, Act 3 Tableau 1 Scene 4: "Obéissons, quand leur voix appelle … Profitons bien de la jeunesse" (Manon, Brétigny, Chorus) - Gavotte | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Major | 1 | 9B | 176 BPM | ||
Da unten im Tale, WoO 33, No. 6 | Johannes Brahms, Jonas Kaufmann, Helmut Deutsch | E Major | 1 | 12B | 182 BPM |