Johannes Brahms, Gewandhausorchester Leipzig, Kurt Masur made "21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor" available on January 1, 1983. The duration of 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 48 out of 64 in Brahms: Complete Orchestral Works by Johannes Brahms, Kurt Masur, Gewandhausorchester, Misha Dichter, Salvatore Accardo, Heinrich Schiff. Based on our statistics, 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 5 in G Minor by Johannes Brahms, Gewandhausorchester Leipzig, Kurt Masur is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata | Johann Sebastian Bach, Wayne Marshall | D Major | 1 | 10B | 88 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | E Major | 1 | 12B | 131 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Pachelbel: Canon | Johann Pachelbel, I Musici | B Minor | 1 | 10A | 85 BPM | ||
Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle: Prelude: Morning Mood | Edvard Grieg, Gewandhausorchester Leipzig, Kurt Masur | E Major | 0 | 12B | 109 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
La gazza ladra (The Thieving Magpie): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | G Major | 2 | 9B | 159 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM |