"Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle: Prelude: Morning Mood" by Edvard Grieg, Gewandhausorchester Leipzig, Kurt Masur was released on January 1, 1998. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Classical Favourites, so we believe that "Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle: Prelude: Morning Mood" is a single. In terms of popularity, Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle: Prelude: Morning Mood is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle: Prelude: Morning Mood by Edvard Grieg, Gewandhausorchester Leipzig, Kurt Masur is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier Pt. 1: Prelude No. 1 in C Major, BWV 846 | Johann Sebastian Bach, Yu Jung Yoon | C Major | 0 | 8B | 71 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Liszt: Liebesträume, S. 541: No. 3 in A-Flat Major (Poco allegro con affetto) | Franz Liszt, Kun-Woo Paik | A♭ Major | 0 | 4B | 74 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM | ||
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Symphony No. 41 in C Major, K 551 "Jupiter" Andante cantibile | The Royal Festival Orchestra | C Major | 1 | 8B | 72 BPM | ||
Coro a bocca chiusa from Madama Butterfly - Voice | Giacomo Puccini, Plácido Domingo, Renata Scotto, Lorin Maazel | F Major | 1 | 7B | 147 BPM |