"Finalszene (Salome)" by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester was released on August 7, 2006. Finalszene (Salome) appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #17. Finalszene (Salome) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finalszene (Salome) by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du kleiner Herrgott (Madame Butterfly) | Maria Cebotari, Orchester Des Deutschen Opernhauses Berlin | B Minor | 1 | 10A | 95 BPM | ||
Die hochzeit des Figaro, K.492, IWM 348, Act II: "Hör mein Flehn, o Gott der Liebe" (Gräfin, Susanna, Figaro, Cherubino) | Wolfgang Amadeus Mozart, Orchester des Stuttgarter Rundfunks, Karl Böhm, Margarete Teschemacher, Maria Cebotari, Paul Schöffler, Angela Kolniak | D Major | 1 | 10B | 71 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Le Nozze di Figaro, K. 492: E Susanna non vien / Dove Sono (Contessa) | Wolfgang Amadeus Mozart, Maria Cebotari, London Philharmonic Orchestra, Josef Krips | C Major | 1 | 8B | 90 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Carmen, WD 31: Ich sprach, dass ich furchtlos mich fühle - Sung in German | Georges Bizet, Maria Cebotari, Orchester der Deutschen Oper Berlin, Gerhard Steeger | E♭ Major | 1 | 5B | 84 BPM | ||
Gianni Schicchi, Act I: O mio babbino caro | Giacomo Puccini, Giovacchino Forzano, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Puccini: Madama Butterfly, Act 2: "E Izaghi ed Izanami" (Suzuki, Butterfly) | Giacomo Puccini, Maria Callas, Lucia Danieli, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 74 BPM | ||
Salome op. 54: Er ist schrecklich. | Richard Strauss, Vienna State Opera Orchestra, Clemens Krauss, Maria Cebotari, Karl Friedrich, Marko Rothmüller | A Major | 3 | 11B | 91 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Appressati, Lucia" (Enrico) | Gaetano Donizetti, Tullio Serafin, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | C Major | 0 | 8B | 72 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM |