"Balletti lamentabili á 4, C 59: V. Gigue" by Heinrich Ignaz Franz von Biber, Klingzeug Barockensemble was released on October 1, 2021. The duration of Balletti lamentabili á 4, C 59: V. Gigue is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Balletti lamentabili á 4, C 59: V. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Klingzeug Barockensemble's "Memento Mori" album is number 8 out of 19. On top of that, Sweden appears to be the country where this track was created. The popularity of Balletti lamentabili á 4, C 59: V. Gigue is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Balletti lamentabili á 4, C 59: V. Gigue by Heinrich Ignaz Franz von Biber, Klingzeug Barockensemble to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Concerto Grosso in C Minor, Op. 6 No. 8, HWV 326: IV. Adagio | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Minor | 1 | 11A | 93 BPM | ||
Viola da gamba Sonata in A Major, A2:53: II. Allegro assai | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | A♭ Major | 2 | 4B | 116 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Divertimento in E-Flat Major, TWV 50:21: Divertimento in E-Flat Major, TWV 50:21: V. Repas - VI. Repas alternativement | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 0 | 10A | 133 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Sonata in G Minor, Z. 780: I. Adagio - Allegro - Largo - Vivace | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |