Antonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien made "Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo" available on January 1, 1994. The duration of Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi : Gloria & Pergolesi : Stabat Mater by Nikolaus Harnoncourt, Concentus Musicus Wien. The song's track number on the album is #1 out of 24 tracks. Based on our statistics, Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo by Antonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo being at 139 テンポ, the half-time would be 70 テンポ with a double-time of 278 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: 10. “Jesus bleibet meine Freude” | Cantillation, Orchestra of the Antipodes, Brett Weymark | F♯ Major | 1 | 2B | 96 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Mozart: Requiem in D Minor, K. 626: II. Kyrie | Nikolaus Harnoncourt, Vienna State Opera Chorus | D Minor | 2 | 7A | 84 BPM | ||
Dorilla in Tempe, RV 709 / Act I: Dell'aura al sussurrar | Antonio Vivaldi, Cecilia Bartoli, Arnold Schoenberg Chor, Il Giardino Armonico, Giovanni Antonini | C Major | 2 | 8B | 119 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 136 BPM | ||
Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" | Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra | G Major | 0 | 9B | 121 BPM | ||
Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Michel Corboz, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne, Magali Dami | G Major | 0 | 9B | 109 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM |