Nikolaus Harnoncourt, Vienna State Opera Chorus made "Mozart: Requiem in D Minor, K. 626: II. Kyrie" available on 1982. The duration of Mozart: Requiem in D Minor, K. 626: II. Kyrie is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Mozart: Requiem in D Minor, K. 626: II. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 2 out of 14. On top of that, Germany appears to be the country where this track was created. Mozart: Requiem in D Minor, K. 626: II. Kyrie is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: II. Kyrie by Nikolaus Harnoncourt, Vienna State Opera Chorus to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM | ||
Nocturne In B Major Op.40 | Budapest Philharmonic Orchestra | B Major | 1 | 1B | 88 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Missa Votiva, ZWV 18: Kyrie I. | Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 2 | 2A | 116 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Symphony in D Major, K. 385 "Haffner-Sinfonie": II. Andante | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 0 | 10B | 87 BPM | ||
Mass No. 2 in G Major, D. 167: III. Credo | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Etude No. 3 in E Major, Op. 10: "Tristesse" | Frédéric Chopin, Peter Schmalfuss | E Major | 0 | 12B | 67 BPM |