"Symphony in D Major, K. 385 "Haffner-Sinfonie": II. Andante" by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien was released on January 20, 2014. Since Symphony in D Major, K. 385 "Haffner-Sinfonie": II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Symphony No. 35, K. 320 "Haffner" & Serenade No. 9, K. 385 "Posthorn"" album is number 10 out of 12. Symphony in D Major, K. 385 "Haffner-Sinfonie": II. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony in D Major, K. 385 "Haffner-Sinfonie": II. Andante by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
String Quintet in G minor KV516: I. Allegro | Wolfgang Amadeus Mozart, Talich Quartet, Karel Řehák | G Minor | 1 | 6A | 139 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Nicola Benedetti, Czech Philharmonic Orchestra, Jakub Hrůša | E♭ Major | 0 | 5B | 96 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón | F Major | 0 | 7B | 182 BPM | ||
Chopin: Nocturne No. 4 in F Major, Op. 15 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | F Major | 0 | 7B | 134 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49, MWV 29: I. Molto Allegro agitato | Felix Mendelssohn, Van Baerle Trio | B♭ Major | 1 | 6B | 66 BPM |