"Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen" by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner was released on March 6, 2012. Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen appears to be safe for all ages as it is not explicit. The song is number 3 out of 9 in Brahms: Ein deutsches Requiem by John Eliot Gardiner. Based on our statistics, Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Introitus | Carl Rütti, Olivia Robinson, Edward Price, The Bach Choir, Jane Watts, Southern Sinfonia, David Hill | E Major | 0 | 12B | 134 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus a 10 - Live | Claudio Monteverdi, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | B Minor | 1 | 10A | 135 BPM | ||
Lohengrin, WWV 75: Prelude to Act I - Live | Richard Wagner, Gewandhausorchester, Andris Nelsons | A Major | 1 | 11B | 72 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Symphony No. 2, Op. 52 "Lobgesang": II. Molto più moderato ma con fuoco "Lobe den Herrn, meine Seele" | Felix Mendelssohn, London Symphony Orchestra, Lucy Crowe, The Monteverdi Choir, John Eliot Gardiner | C Major | 1 | 8B | 101 BPM | ||
Mozart: Requiem in D Minor, K. 626: VI. Recordare | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 1 | 7B | 131 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM |