György Kurtág, Anastasia Kobekina made "Signs, Games and Messages: Árnyak (Shadows)" available on February 2, 2024. With Signs, Games and Messages: Árnyak (Shadows) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #15 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Signs, Games and Messages: Árnyak (Shadows)'s popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Signs, Games and Messages: Árnyak (Shadows) by György Kurtág, Anastasia Kobekina has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Signs, Games and Messages: Árnyak (Shadows) being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Intermezzo | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: V. Tempo di Valse: Allegro non troppo | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Major | 1 | 11B | 125 BPM | ||
El cant dels ocells | Pablo Casals, Christian-Pierre La Marca | G Minor | 1 | 6A | 115 BPM | ||
Nocturne | Mieczysław Weinberg, Gidon Kremer, Kremerata Baltica | C Major | 1 | 8B | 63 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
Bassoon Concerto in B-Flat Major, RV 501 "La Notte": III. Il Sonno. Andante Molto | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
Giochi Innocenti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 77 BPM | ||
String Trio in E-flat major, Op. 3: IV. Adagio | Ludwig van Beethoven, Ssens Trio | A♭ Major | 0 | 4B | 72 BPM | ||
String Quartet No. 1 in C Major, Op. 49: III. Allegro molto | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM |