"II. Intermezzo" by Morton Feldman, Marilyn Nonken, Stephen Marotto was released on April 19, 2024. With II. Intermezzo being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Morton Feldman, Stephen Marotto, Marilyn Nonken's "Morton Feldman: Complete Music for Cello & Piano" album is number 14 out of 24. On top of that, United States appears to be the country where this track was created. The popularity of II. Intermezzo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Intermezzo by Morton Feldman, Marilyn Nonken, Stephen Marotto to be Vivace (lively and fast) because the track has a tempo of 164 テンポ, a half-time of 82テンポ, and a double-time of 328 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Matty Drawing | Balanescu Quartet | A Minor | 0 | 8A | 68 BPM | ||
Sonata For Flute, Viola And Harp, L. 137: 1. Pastorale | Claude Debussy, Kim Kashkashian, Sivan Magen, Marina Piccinini | F Major | 0 | 7B | 113 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Das Mädchen mit den Schwefelhölzern (1990-1996) Musik in Bildern: No. 22 Himmelfahrt | Morton Feldman, Lothar Zagrosek, Salome Kammer, Staatsopernchor Stuttgart, Staatsorchester Stuttgart, Tomoko Hemmi, Yukiko Sugawara-Lachenmann | D♭ Major | 1 | 3B | 127 BPM | ||
Carbon Date Piano | Ernst Reijseger | F Major | 0 | 7B | 134 BPM | ||
100 Transcendental Studies: No. 18: Liscio. Tranquillamente scorrevole | Kaikhosru Sorabji, Fredrik Ullén | E Minor | 1 | 9A | 74 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Shaker Loops (version for string orchestra): Hymning Slews | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 83 BPM | ||
Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM |