Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis made "Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse" available on July 14, 2003. Since Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Berlioz: Harold en Italie by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tabea Zimmermann. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse by Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Troyens, Op. 29, H 133, Act V: No. 44a. "Errante sur tes pas …" | Hector Berlioz, London Symphony Orchestra, Ben Heppner, Sir Colin Davis, Michelle DeYoung | B♭ Major | 2 | 6B | 76 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Les francs-juges: Les Francs-Juges, Op. 3 | Hector Berlioz, San Diego Symphony Orchestra, Yoav Talmi | F Minor | 0 | 4A | 93 BPM |