Henri Vieuxtemps, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London made "Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco - Redbook Stereo" available on 1946. With Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco - Redbook Stereo being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jascha Heifetz's "Jascha Heifetz - Original Jacket Collection" album is number 10 out of 105. Based on our statistics, Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco - Redbook Stereo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco - Redbook Stereo by Henri Vieuxtemps, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo | Camille Saint-Saëns, Mstislav Rostropovich, Sir Malcolm Sargent, Philharmonia Orchestra | A Minor | 1 | 8A | 83 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim | A Major | 4 | 11B | 148 BPM | ||
Caprice Basque, Op. 24 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | A Minor | 2 | 8A | 106 BPM | ||
Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo - Allegretto non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | A Minor | 1 | 8A | 172 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Porgy and Bess (arr. J. Heifetz for violin and piano): II. My Man's Gone Now | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | C Major | 2 | 8B | 95 BPM | ||
Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Jean-Yves Thibaudet, Truls Mørk | D Minor | 2 | 7A | 127 BPM | ||
Cello Concerto No.1, Op.107: 4. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM |