"Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice" by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio was released on October 24, 1995. With this song being about 5 minutes long, at 5:04, "Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice" by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Voices of Light by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic, Steven Mercurio. The song's track number on the album is #2 out of 15 tracks. Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Penderecki: Threnody for the Victims of Hiroshima | Krzysztof Penderecki, Jonny Greenwood, AUKSO Orchestra | F Minor | 2 | 4A | 85 BPM | ||
Love Eternal | Wojciech Kilar | B Minor | 0 | 10A | 87 BPM | ||
You're Not Meant To Be Here | Andrew Hewitt | C Major | 0 | 8B | 76 BPM | ||
Cantata for Alto, Strings and Continuo "Cessate, omai cessate", RV 684: No. 2, Aria, Larghetto "Ah, ch'infelice sempre" | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Sara Mingardo | G Minor | 1 | 6A | 88 BPM | ||
Antiphon, O quam mirabilis est | Hildegard von Bingen, Anonymous 4 | A Major | 0 | 11B | 83 BPM | ||
Basically this is Glenn's Final Testament | Not Applicable,, Richard Einhorn | G Major | 0 | 9B | 113 BPM | ||
Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 167 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
Dracula | Philip Glass, Kronos Quartet | F Minor | 1 | 4A | 72 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM |