"Penderecki: Threnody for the Victims of Hiroshima" by Krzysztof Penderecki, Jonny Greenwood, AUKSO Orchestra was released on March 9, 2012. Since Penderecki: Threnody for the Victims of Hiroshima is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Penderecki & Greenwood: Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Penderecki: Threnody for the Victims of Hiroshima is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Penderecki: Threnody for the Victims of Hiroshima by Krzysztof Penderecki, Jonny Greenwood, AUKSO Orchestra having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | A Minor | 5 | 8A | 99 BPM | ||
Ionisation | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | A Major | 6 | 11B | 116 BPM | ||
The Sinking of the Titanic: 2. Titanic Hymn (Autumn) All strings | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 81 BPM | ||
In the Light of Air: I. Luminance | Anna Thorvaldsdottir, International Contemporary Ensemble | A♭ Major | 0 | 4B | 66 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Tabula Rasa: I. Ludus - Live | Arvo Pärt, Gidon Kremer, Tatiana Grindenko, Alfred Schnittke, Lithuanian Chamber Orchestra, Saulus Sondeckis | A Minor | 3 | 8A | 127 BPM | ||
Cantus in memoriam Benjamin Britten | Arvo Pärt, Angèle Dubeau, La Pietà | A Minor | 1 | 8A | 76 BPM |