William Lawes, Emma Kirkby, David Thomas, Anthony Rooley, Trevor Jones's 'Dialogues: Come, My Daphne, Come Away' came out on August 1, 1980. With Dialogues: Come, My Daphne, Come Away being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Pastoral Dialogues". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Dialogues: Come, My Daphne, Come Away is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dialogues: Come, My Daphne, Come Away by William Lawes, Emma Kirkby, David Thomas, Anthony Rooley, Trevor Jones having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No.6 in D Major, Op. 50: I. Largo | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro | Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk | E♭ Major | 2 | 5B | 105 BPM | ||
Visée: Pièces de théorbe, Suite No. 2 en ré majeur: Allemande | Robert de Visée, Pascal Monteilhet | F♯ Minor | 0 | 11A | 79 BPM | ||
ln Nomine Crye | Christopher Tye, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Suite in E Minor, BWV 996: II. Allemande | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VII. Courant | Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | D♭ Major | 3 | 3B | 81 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM |