"Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa" by Antonio Vivaldi, Philippe Jaroussky, Alessandro Tampieri was released on October 17, 2014. The duration of Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa is about 3 minutes long, at 3:06. Based on our data, "Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Pietà - Sacred works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa by Antonio Vivaldi, Philippe Jaroussky, Alessandro Tampieri having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Minor, RV 610: IX. Suscepit Israel | Antonio Vivaldi, Sara Mingardo, Patrizia Biccirè, Deborah York, Concerto Italiano, Akademia Vocal Ensemble, Rinaldo Alessandrini | A♭ Major | 2 | 4B | 101 BPM | ||
Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie | Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée | C Minor | 1 | 5A | 167 BPM | ||
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina! | Wolfgang Amadeus Mozart, Patricia Petibon, Concerto Köln, Daniel Harding | F Major | 0 | 7B | 75 BPM | ||
La Giuditta: Dormi o fulmine | Alessandro Scarlatti, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 0 | 10B | 63 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Requiem in D minor, K.626: 2. Kyrie (II) | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 3 | 8B | 92 BPM | ||
Violin Concerto No. 2 in G Minor "Summer", RV 315: I. Allegro ma non molto (with Sonnet) | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 1 | 8B | 173 BPM |