"Serse, HWV 40: Ombra mai fu" by George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini was released on October 16, 2020. The duration of Serse, HWV 40: Ombra mai fu is about 3 minutes long, at 3:23. Based on our data, "Serse, HWV 40: Ombra mai fu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Handel: Serse, HWV 40: Ombra mai fu and no other songs are present in the album, we classify this track as a single. Based on our statistics, Serse, HWV 40: Ombra mai fu's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse, HWV 40: Ombra mai fu by George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
La clemenza di Tito / Act 2: "Se mai senti spirarti sul volto" | Josef Mysliveček, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 1 | 5B | 76 BPM | ||
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Alcina, HWV 34, Act III: Ma quando tornerai | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Prince-Monaco, Gianluca Capuano | E Major | 4 | 12B | 129 BPM | ||
Rinaldo, HWV 7, Act II Scene 4: Lascia Ch'io Pianga (Let me Lament) | Camerata De Budapest, Ingrid Kertesi, George Frideric Handel | F Major | 1 | 7B | 172 BPM | ||
La castità al cimento: "Sparga il senso lascivo veleno" | Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Major | 5 | 1B | 134 BPM |