Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel's 'Dance of the Knights (The Apprentice Theme - UK)' had a release date set for June 10, 2022. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 47 out of 56 in Classical Clips Vol. 2 by Nikita Magaloff, Alexander Borodin, Antonín Dvořák, Antonio Vivaldi, Aram Khachaturian, Camille Saint-Saëns, Claude Debussy, Dmitri Shostakovich, Edvard Grieg, Edward Elgar, Erik Satie, Felix Mendelssohn, Frédéric Chopin, George Frideric Handel, Gustav Mahler, Jacques Offenbach, Johann Sebastian Bach, Johann Strauss II, Léo Delibes, Ludwig van Beethoven, Maurice Ravel, Pietro Mascagni, Pyotr Ilyich Tchaikovsky, Remo Giazotto, Richard Wagner, Samuel Barber, Sergei Prokofiev, Sergei Rachmaninoff, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dance of the Knights (The Apprentice Theme - UK) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dance of the Knights (The Apprentice Theme - UK) by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
L'Apprenti sorcier | Paul Dukas, Berliner Philharmoniker, James Levine | F Minor | 4 | 4A | 125 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
String Quartet No. 2 in F Major, Op. 92: II. Adagio | Sergei Prokofiev, Pacifica Quartet | F Major | 1 | 7B | 148 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM |