"Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!"" by Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge was released on 1999. The duration of Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 16 out of 68. In terms of popularity, Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" by Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.14 in F sharp minor BWV859 | Daniel Barenboim | F♯ Minor | 0 | 11A | 75 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Himmelfahrtsoratorium, BWV 11: Aria. Jesu, deine Gnadenblicke (Soprano) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | F♯ Major | 0 | 2B | 73 BPM | ||
Cantata "Amor Hai Vinto" RV 651: 3. In qual strano...4. Se a me rivolge il ciglio | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | B Major | 0 | 1B | 67 BPM | ||
Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": III. Sed tenebris diffusis | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | C Major | 0 | 8B | 136 BPM | ||
Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!" | Carl Philipp Emanuel Bach, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of the Age of Enlightenment | D♭ Major | 4 | 3B | 117 BPM |