Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki's 'Himmelfahrtsoratorium, BWV 11: Aria. Jesu, deine Gnadenblicke (Soprano)' came out on February 1, 2006. Himmelfahrtsoratorium, BWV 11: Aria. Jesu, deine Gnadenblicke (Soprano) is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The song is number 19 out of 20 in Bach, J.S.: Easter Oratorio / Ascension Oratorio by Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Himmelfahrtsoratorium, BWV 11: Aria. Jesu, deine Gnadenblicke (Soprano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Himmelfahrtsoratorium, BWV 11: Aria. Jesu, deine Gnadenblicke (Soprano) by Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |