"5 Preludios: No. 5, Candombe en Mi" by Maximo Diego Pujol, Jason Vieaux was released on September 17, 1996. The duration of 5 Preludios: No. 5, Candombe en Mi is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. 5 Preludios: No. 5, Candombe en Mi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jason Vieaux's "Guitar Recital: Jason Vieaux" album is number 7 out of 17. Based on our statistics, 5 Preludios: No. 5, Candombe en Mi's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 5 Preludios: No. 5, Candombe en Mi by Maximo Diego Pujol, Jason Vieaux to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ghiribizzi, MS 43: No. 15. Allegro | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
Minyo (Variations on a Japanese Folk Song), Op. 50d | Carlo Domeniconi, Celil Refik Kaya | E Minor | 0 | 9A | 76 BPM | ||
Andante in A Minor | Ferdinando Carulli, Tom Tilley | A Minor | 3 | 8A | 129 BPM | ||
El nino | Antonio Lauro, Adam Holzman | A Major | 0 | 11B | 59 BPM | ||
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 62 BPM | ||
Guitar Sonata in A Major, Op. 29, No. 2 (arr. J. Bream for guitar): II. Andante sostenuto | Julian Bream, Anton Diabelli, Kyuhee Park | E Major | 0 | 12B | 88 BPM | ||
Keyboard Sonata in E Major, K.380/L.23/P.483 (arr. L. Raus for guitar) | Domenico Scarlatti, Lore Raus, Pablo Garibay | B Major | 1 | 1B | 86 BPM | ||
Sevilla | Isaac Albéniz, Simon Dinnigan | G Major | 1 | 9B | 108 BPM | ||
12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM |