"12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu)" by Akira Nakata, Shin-ichi Fukuda was released on January 1, 2016. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shin-ichi Fukuda's "Japanese Guitar Music, Vol. 2" album is number 1 out of 14. On top of that, Hong Kong appears to be the country where this track was created. 12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) by Akira Nakata, Shin-ichi Fukuda to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tender Toys: XVIII. Velvet Waltz | Takashi Yoshimatsu, Yasuo Watani, Shin-ichi Fukuda | D Minor | 2 | 7A | 198 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Preludio in C Minor | Agustín Barrios Mangoré, Lorenzo Bernardi | C Minor | 1 | 5A | 78 BPM | ||
パガニーニ: 24のカプリース Op.1 より 第24番 (福田進一編) | Niccolò Paganini, Shin-ichi Fukuda, Ami Inoi | A Minor | 2 | 8A | 87 BPM | ||
ギターのためのソナチネより I. アレグレット | Lennox Berkeley, Shin-ichi Fukuda | D Major | 2 | 10B | 109 BPM | ||
Suite in E Minor: V. Les rappel des Oiseaux | Jean-Philippe Rameau, Sarah O'Brien | F Major | 0 | 7B | 104 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Lettre encore | Roland Dyens, Elena Papandreou | F Major | 0 | 7B | 95 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Equinox | Toru Takemitsu, Shin-ichi Fukuda | G Minor | 0 | 6A | 67 BPM |