"Equinox" by Toru Takemitsu, Shin-ichi Fukuda was released on April 1, 2014. With this song being about 5 minutes long, at 5:17, "Equinox" by Toru Takemitsu, Shin-ichi Fukuda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Takemitsu: Complete Original Solo Guitar Works". In this album, this song's track order is #11. Equinox is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Equinox by Toru Takemitsu, Shin-ichi Fukuda having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soshite, sore ga kaze de aru koto wo shitta (And then I knew 'twas wind): And Then I Knew 'Twas Wind | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 76 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
Images I, L. 110: 1. Reflets dans l'eau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 67 BPM | ||
Twilight | Hikaru Hayashi, Christopher Ferreira | A Minor | 0 | 8A | 98 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM |