On February 5, 2013, the song "Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro" was released by Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet. With Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 19 in For Thy Pleasure by Los Angeles Guitar Quartet. Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro by Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Turn to the Sea (Composer's Cut) | William Kanengiser, Los Angeles Guitar Quartet | C Major | 2 | 8B | 145 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: II. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
2 Arabesques (arr. for guitar and orchestra): Arabesque No. 1 | Claude Debussy, Gerald Garcia, CSSR State Philharmonic Orchestra, Kosice, Peter Breiner | C Major | 1 | 8B | 91 BPM | ||
Overture in D Major, TWV 55:D17: I. Ouverture | Georg Philipp Telemann, Manu Mellaerts, Steven Devolder, Collegium Instrumentale Brugense, Patrick Peire | D Major | 2 | 10B | 141 BPM | ||
12 Studies, Op. 29: No. 17 in C Major | Fernando Sor, Jeffrey McFadden | G Major | 1 | 9B | 135 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
Suite del Plata, No. 1: Murga | Maximo Diego Pujol, Victor Villadangos | E Minor | 1 | 9A | 102 BPM | ||
Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
Prelude (for Olga) | Jorge Morel, Gerald Garcia | A Minor | 0 | 8A | 76 BPM |