Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella made "L'Ultimo giorno di Pompei: Act I Scene 7: No, Sallustio (Ottavia, Sallustio, Maids, Appio, Pubblio, Clodio, Chorus)" available on January 1, 1997. L'Ultimo giorno di Pompei: Act I Scene 7: No, Sallustio (Ottavia, Sallustio, Maids, Appio, Pubblio, Clodio, Chorus) is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 47 in the song's album "Pacini: L'Ultimo Giorno Di Pompei". In this album, this song's track order is #2. In terms of popularity, L'Ultimo giorno di Pompei: Act I Scene 7: No, Sallustio (Ottavia, Sallustio, Maids, Appio, Pubblio, Clodio, Chorus) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With L'Ultimo giorno di Pompei: Act I Scene 7: No, Sallustio (Ottavia, Sallustio, Maids, Appio, Pubblio, Clodio, Chorus) by Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Saffo: Act I: Scena III - Faon | Giovanni Pacini, Davide Baronchelli, Gemma Bertagnolli, Roberto de Candia, Aled Hall, Lubomir Matl, Francesca Pedaci, Mariana Pentcheva, Carlo Ventre, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Maurizio Benini | D♭ Major | 2 | 3B | 128 BPM | ||
Don Giovanni Tenorio, o Il convitato di pietra: Act II Scene 5: Duetto: Signor Commendatore… (Ficcanaso, Don Giovanni, Commendatore) | Giovanni Pacini, Leonardo Cortellazzi, Geraldine Chauvet, Zinovia-Maria Zafeiriadou, Ugo Guagliardo, Giorgio Trucco, Giulio Mastrototaro, Transylvania State Philharmonic Choir, Southwest German Chamber Orchestra, Daniele Ferrari | D Major | 2 | 10B | 116 BPM | ||
Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
La Bohème / Act 2: "Viva Parpignol..." - "Una cuffietta a pizzi" | Giacomo Puccini, Rolando Panerai, Mirella Freni, Gianni Maffeo, Nicolai Ghiaurov, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 110 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ah! chi mi dice mai"- "Chi è là?"/"Stelle! che vedo" | Wolfgang Amadeus Mozart, Joyce DiDonato, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B♭ Minor | 1 | 3A | 85 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Me protegge, me difende " | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 4 | 5B | 59 BPM | ||
Matilde di Shabran, Act II Scene 5 (1821 Version): Deh! Serena il mesto ciglio [Live] | Giovanni Pacini, Michele Angelini, Zong Shi, Victoria Yarovaya, Passionart Orchestra Krakow, José Miguel Pérez-Sierra | E Major | 1 | 12B | 75 BPM | ||
La Bohème / Act 4: "Vecchia zimarra, senti" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM |