"Petite messe solennelle: Domine Deus" by Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres was released on 2014. With this song being about 5 minutes long, at 4:53, "Petite messe solennelle: Domine Deus" by Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #4. Based on our statistics, Petite messe solennelle: Domine Deus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petite messe solennelle: Domine Deus by Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Idomeneo, re di Creta, K.366 / Act 1: "Quando avran fine omai" - "Padre, germani, addio!" | Wolfgang Amadeus Mozart, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, David Aronson | G Minor | 1 | 6A | 85 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
Alcina, HWV 34 / Act 1: Tornami a vagheggiar | George Frideric Handel, Karina Gauvin, Il Complesso Barocco, Alan Curtis | C Minor | 1 | 5A | 61 BPM | ||
O Haupt voll blut und wunden: III. Choral "Ich will hier bei dir Stehen" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Major | 2 | 10B | 83 BPM | ||
Il re pastore, K.208 / Act 2: "L'amerò, sarò costante" | Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras | E♭ Major | 0 | 5B | 111 BPM | ||
Stabat Mater, FP 148: 1. Stabat Mater dolorosa | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: No. 9, Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) | Ludwig van Beethoven, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra | E Major | 2 | 12B | 100 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
Il Barbiere di Siviglia: Se il mio nome saper voi bramate - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 2 | 7B | 118 BPM |