Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame's 'Sonata No. 1 in D Minor, "The Annunciation": II. Variatio' came out on March 24, 2023. The duration of Sonata No. 1 in D Minor, "The Annunciation": II. Variatio is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sonata No. 1 in D Minor, "The Annunciation": II. Variatio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 47 in Biber: The Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Sonata No. 1 in D Minor, "The Annunciation": II. Variatio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 1 in D Minor, "The Annunciation": II. Variatio by Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
Suite de pièces de clavecin en ré mineur: Canaries | Dom André Laberge | A♭ Minor | 4 | 1A | 112 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 4 Tambourins: Premier Tambourin (Suite des Matelots) & Deuxième Tambourin | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | C Major | 4 | 8B | 76 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Sonata in B minor, Op.4, No.12: 3. Giga (Allegro) | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | B♭ Minor | 1 | 3A | 133 BPM | ||
Troisième Concert en la: VII. Chaconne légère | François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier | A♭ Major | 2 | 4B | 73 BPM |