Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford's 'Sonata sesta for violino solo: VI. Allegro [2]' came out on November 20, 2020. With Sonata sesta for violino solo: VI. Allegro [2] being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The Mad Lover". In this album, this song's track order is #5. In terms of popularity, Sonata sesta for violino solo: VI. Allegro [2] is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata sesta for violino solo: VI. Allegro [2] by Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Charpentier: Tristes déserts, sombre retraite, H. 469 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 106 BPM | ||
Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | ||
Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 85 BPM | ||
Sonata For Violin And Continuo II: Imitazione del Liuto. Presto | Johann Paul Von Westhoff, Daniel Hope, Stefan Maass, Stefan Rath | C Major | 0 | 8B | 105 BPM | ||
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: IV. Allegro | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | B Minor | 3 | 10A | 117 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Sonata in E Minor, Op. 4 No. 5: III. Sarabanda. Largo | Jean-Baptiste Senaillé, Théotime Langlois de Swarte, William Christie | E Major | 2 | 12B | 128 BPM |