Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis's 'Oboe Concerto in G Major, TWV 51:2: I. Andante' came out on October 1, 2016. The duration of Oboe Concerto in G Major, TWV 51:2: I. Andante is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Oboe Concerto in G Major, TWV 51:2: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Telemann: Oboe Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Oboe Concerto in G Major, TWV 51:2: I. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe Concerto in G Major, TWV 51:2: I. Andante by Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 2 | 7B | 64 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Recorder Concerto in F Major: 1. Allegro | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | E Major | 2 | 12B | 123 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM |