"Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho" by Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido was released on January 1, 2006. With this song being about 5 minutes long, at 4:34, "Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho" by Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Pandolfo, P.: Viola Da Gamba Music (Improvisando)". In this album, this song's track order is #7. Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho by Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carataranta | Mauro Durante, Accordone, Guido Morini | D♭ Major | 8 | 3B | 107 BPM | ||
Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM | ||
Jouissance vous donnerai (After Sermisy) | Vincenzo Bonizzi, Paolo Pandolfo, Amelie Chemin, Chiara Granata, Thomas Boysen, Francesco Saverio Pedrini | D♭ Minor | 0 | 12A | 129 BPM | ||
Si apra al riso: V. Ritornello (2) | Alessandro Stradella, Enrico Gatti, Orchestra barocca della civica scuola di musica di Milano, Guido Morini | D♭ Major | 3 | 3B | 84 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
Passagaglia for solo violin from “Rosenkrantz Sonaten” | Heinrich Ignaz Franz von Biber, Thibault Noally | F♯ Minor | 2 | 11A | 77 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Suite in G Major: IV. Aria Burlesca | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 2 | 2B | 101 BPM | ||
Fantasia for Solo Viola in C Major, TWV 40:15: Fantasia for Solo Viola in C Major, TWV 40:15: I. Largo | Georg Philipp Telemann, Antoine Tamestit | F♯ Major | 0 | 2B | 115 BPM |