Vincenzo Bonizzi, Paolo Pandolfo, Amelie Chemin, Chiara Granata, Thomas Boysen, Francesco Saverio Pedrini made "Jouissance vous donnerai (After Sermisy)" available on May 3, 2019. Jouissance vous donnerai (After Sermisy) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Regina bastarda". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Spain. Based on our statistics, Jouissance vous donnerai (After Sermisy)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Jouissance vous donnerai (After Sermisy) by Vincenzo Bonizzi, Paolo Pandolfo, Amelie Chemin, Chiara Granata, Thomas Boysen, Francesco Saverio Pedrini having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orimonte, Atto III Scena 12: Caro Ernesto / Mia Cleanta - Instrumental Version | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Thomas Dunford | F♯ Major | 1 | 2B | 176 BPM | ||
A New Irish Tune, Z. 646: "Lilliburlero" | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Madonna Qual Certezza | The Royal Wind Music | F♯ Minor | 1 | 11A | 73 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ground in G Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | F♯ Major | 3 | 2B | 103 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Guitar Sonata No. 3 in C Major, MS 84 | Niccolò Paganini, Mauro Bonelli | B Major | 2 | 1B | 78 BPM | ||
Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |