Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek made "Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro" available on February 4, 1997. The duration of Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani's "Geminiani: Concerti Grossi, Vol. 1" album is number 2 out of 38. Based on our statistics, Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 7 : V. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | G Minor | 0 | 6A | 101 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 92 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Concerto in G major Seibel 215: 2. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 104 BPM | ||
A battaglia, pensieri: Sinfonia | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | C Major | 2 | 8B | 146 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 1: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 114 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": II. Moderato | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 135 BPM | ||
Trio Sonata No. 2 in G Minor: III. Allegro | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM |