László Czidra, Tylman Susato, Camerata Hungarica's 'Danserye: Ronde: No. 15. Ronde et Saltarelle' came out on July 15, 2014. The duration of Danserye: Ronde: No. 15. Ronde et Saltarelle is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Danserye: Ronde: No. 15. Ronde et Saltarelle's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Susato: Danserye". In this album, this song's track order is #18. Danserye: Ronde: No. 15. Ronde et Saltarelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Danserye: Ronde: No. 15. Ronde et Saltarelle by László Czidra, Tylman Susato, Camerata Hungarica having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Banchetto Musicale: Allemande e Tripla | Johann Hermann Schein, László Czidra, Camerata Hungarica | G Major | 1 | 9B | 169 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
A quand'a quand'haveva una vicina - O bene mio fam'uno favore | Adrian Willaert, Melinda Lugosi, Camerata Hungarica, László Czidra | F♯ Major | 2 | 2B | 163 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Der Fluyten Lust-Hof: 130. Lavolette | Jacob van Eyck, Lucie Horsch | B Major | 0 | 1B | 62 BPM | ||
Fantasies and Preludes, Giedde I.45: Vivace alla Francese | Johann Joachim Quantz, Dorothee Oberlinger | A Major | 0 | 11B | 79 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM |