"Turandot / Act 3: "Quel nome!"" by Giacomo Puccini, Montserrat Caballé, Dame Joan Sutherland, Luciano Pavarotti, Nicolai Ghiaurov, Tom Krause, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta was released on January 1, 1973. With Turandot / Act 3: "Quel nome!" being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Puccini: Turandot (Highlights)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Turandot / Act 3: "Quel nome!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: "Quel nome!" by Giacomo Puccini, Montserrat Caballé, Dame Joan Sutherland, Luciano Pavarotti, Nicolai Ghiaurov, Tom Krause, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
William Tell - Italian version / Act 1: "Il mio giuro egli disse" | Gioachino Rossini, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | D Major | 4 | 10B | 108 BPM | ||
Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | ||
Norma / Act 2: Deh! non volerli vittime | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | E Minor | 3 | 9A | 135 BPM | ||
Puccini: Suor Angelica: "Sorella, o buona sorella" (Suor Genovieffa, Chorus, Suor Angelica) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 1 | 8B | 97 BPM | ||
Madame Butterfly - Grosser Querschnitt: Wollt ihr mich nun lieben | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Turandot / Act 3: Introduzione - Così comanda Turandot | Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A Minor | 1 | 8A | 88 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri | Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 2 | 3A | 85 BPM | ||
Il Trovatore/D'Amor Sull'Ali Rosee | Montserrat Caballé, Orquesta Sinfónica de Barcelona | D Major | 3 | 10B | 62 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Gran ventura (Butterfly/Coro/Pinkerton/Sharpless/Goro) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 1 | 2B | 172 BPM |