Francisco Guerau, Jean-Pierre de Carpentras made "Pasacalles de lo Tono in C Major, IFG. 7 (Arr. for Piano Solo)" available on December 25, 2020. The duration of Pasacalles de lo Tono in C Major, IFG. 7 (Arr. for Piano Solo) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Pasacalles de lo Tono in C Major, IFG. 7 (Arr. for Piano Solo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francisco Guerau, Jean-Pierre de Carpentras's "Guerau: Congruance Intentionnelle" album is number 3 out of 3. In terms of popularity, Pasacalles de lo Tono in C Major, IFG. 7 (Arr. for Piano Solo) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pasacalles de lo Tono in C Major, IFG. 7 (Arr. for Piano Solo) by Francisco Guerau, Jean-Pierre de Carpentras to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 76 BPM | ||
Poema Harmónico: Mariazapalos | Francisco Guerau, Hopkinson Smith | A♭ Minor | 1 | 1A | 129 BPM | ||
[Suite en la majeur]: XI. Grand Rondeau (No. 28) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 2 | 4B | 90 BPM | ||
Canzoni fantasie et correnti da suonar: Vestiva i Colli da Giovanni Pierluigi da Palestrina | Bartolomé de Selma y Salaverde, Galatea, Paul Beier | A Minor | 2 | 8A | 140 BPM | ||
Gagliarda 12a | Giovanni Girolamo Kapsberger, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Suonata: Sarabanda | Giovanni Zamboni, Edin Karamazov | A♭ Major | 0 | 4B | 78 BPM | ||
Aurora Corrente. Capricci a Due Stromenti | Bellerofonte Castaldi, Dolce Rima, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
A Plaine song for 2 Lutes | Thomas Robinson, Ronn McFarlane, William Simms | G Major | 1 | 9B | 117 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM |