"Une séparation" by Dimitri Illarionov, Boris Andrianov had its release date on March 28, 2014. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dimitri Illarionov, Boris Andrianov's "Les prodiges russes: de Dowland à Piazzolla" album is number 11 out of 16. On top of that, France appears to be the country where this track was created. Une séparation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Une séparation by Dimitri Illarionov, Boris Andrianov to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
來自依帕內瑪的女孩 | 最好的時光三重奏 | D Minor | 3 | 7A | 82 BPM | ||
Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson and Bridget Kibbey) | Charles Martin Loeffler, Graeme Steele Johnson, Bridget Kibbey | D♭ Major | 0 | 3B | 68 BPM | ||
Rapsodia piemontese for Violin and Orchestra, Op. 26 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 97 BPM | ||
Violin Concerto: I. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | F Major | 1 | 7B | 106 BPM | ||
Fünf Stücke Im Volkston, Op. 102, Mvt. 2 | Robert Schumann, Liv Glaser, Ernst Simon Glaser | F Major | 2 | 7B | 140 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft I: No. 2, Innig | Robert Schumann, George Li | F♯ Minor | 0 | 11A | 92 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM | ||
Grande Ouverture, Op. 61 | Mauro Giuliani, Dimitri Illarionov | D Major | 0 | 10B | 114 BPM | ||
Canção De Maio | Luiz Costa, Fernando Costa, Luis Costa | G Major | 0 | 9B | 74 BPM | ||
Trio, Op. 40: I. Andante | Johannes Brahms, Martin Owen, Francesca Dego, Alessandro Taverna | B Minor | 2 | 10A | 79 BPM |