"Rapsodia piemontese for Violin and Orchestra, Op. 26" by Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko was released on June 21, 2024. Rapsodia piemontese for Violin and Orchestra, Op. 26 is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko's "Mozart – Sinigaglia" album is number 5 out of 5. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Rapsodia piemontese for Violin and Orchestra, Op. 26 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rapsodia piemontese for Violin and Orchestra, Op. 26 by Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Canciones mexicanas: No. 2, Estrellita (Arr. for Violin and Piano by Heifetz) | Manuel Ponce, 대니 구(Danny Koo) | B Minor | 3 | 10A | 80 BPM | ||
Elégie, Op. 24 (Version for Cello and Orchestra) | Gabriel Fauré, Julia Hagen, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Tristan and Isolde. Love Music (After Wagner's "Tristan und Isolde"). Moderately Slow | Franz Waxman, Svetlin Roussev, Yeol Eum Son | A♭ Major | 3 | 4B | 97 BPM | ||
French Quadrilogy: No. 4, Toccata | Aivars Kalējs, Trio NYX | B♭ Major | 1 | 6B | 78 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
3 Romances for Violin and Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Koji Morishita | B♭ Major | 1 | 6B | 98 BPM | ||
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
Albumblätter, Op. 39: II. Andante sostenuto | Adrien La Marca, Danae Dörken | G Minor | 1 | 6A | 66 BPM | ||
Allegretto moderato for Two Cellos | Gabriel Fauré, Marc Coppey, Pauline Bartissol | D Major | 1 | 10B | 84 BPM |