"Elégie, Op. 24 (Version for Cello and Orchestra)" by Gabriel Fauré, Julia Hagen, Orchestre de Chambre de Lausanne, Renaud Capuçon had its release date on June 21, 2024. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The track order of this song in Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne's "Gabriel Fauré" album is number 6 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Elégie, Op. 24 (Version for Cello and Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elégie, Op. 24 (Version for Cello and Orchestra) by Gabriel Fauré, Julia Hagen, Orchestre de Chambre de Lausanne, Renaud Capuçon to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
フォーレ:夢のあとに | Gabriel Fauré, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: II. Scherzo | Frédéric Chopin, Paul Tortelier, Aldo Ciccolini | C Major | 2 | 8B | 75 BPM | ||
Violin Sonata No.1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Isabelle Faust, Florent Boffard | A Major | 2 | 11B | 141 BPM | ||
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
3 Romances for Violin and Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Koji Morishita | B♭ Major | 1 | 6B | 98 BPM | ||
Debussy: Violin Sonata in G Minor, L. 148: II. Intermède - Fantasque et léger | Claude Debussy, Bertrand Chamayou | D♭ Major | 1 | 3B | 94 BPM | ||
Viola Concerto "The Horizons": III. Adagio - Solitary Compass | Patrick O'Malley, BBC Scottish Symphony Orchestra, Andrew Constantine, Brett Deubner | D Major | 1 | 10B | 86 BPM | ||
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin | D♭ Major | 0 | 3B | 87 BPM | ||
Lied, Op. 19 (version for cello and piano) | Vincent d'Indy, Nicolas Altstaedt, José Gallardo | E♭ Major | 0 | 5B | 81 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM |