On January 1, 2008, the song "Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio" was released by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen. Since Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 17 in Bach by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen is Vivace (lively and fast), since this song has a tempo of 161 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Wohltemperierte Klavier: Book 1, BWV 846-869: I. Prelude In C Sharp Minor BWV 849 | Johann Sebastian Bach, Hélène Grimaud | D♭ Minor | 0 | 12A | 82 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro moderato | Franz Schubert, Pascal Devoyon, Dong-Suk Kang | B♭ Major | 1 | 6B | 114 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2 | Felix Mendelssohn, Péter Nagy | F Minor | 1 | 4A | 109 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (d) Variation III | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM |