"Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2" by Felix Mendelssohn, Péter Nagy was released on March 15, 1990. The duration of Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2 is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Péter Nagy's "Mendelssohn, Felix: Songs Without Words, Vol. 1" album is number 1 out of 23. In terms of popularity, Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2 by Felix Mendelssohn, Péter Nagy to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
18 Études, Op. 109: No. 13, L'orage | Franz Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Piano Sonata in G Minor: II. Scherzo | Fanny Mendelssohn, Beatrice Rauchs | F♯ Major | 0 | 2B | 71 BPM | ||
13 Pieces, Op. 76: No. 7 Affettuoso | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 102 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM |