Janoska Ensemble made "Le nozze di Figaro, K. 492: Overture (arr. Janoska Ensemble)" available on March 15, 2019. With this song being about 5 minutes long, at 5:16, "Le nozze di Figaro, K. 492: Overture (arr. Janoska Ensemble)" by Janoska Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Revolution". In this album, this song's track order is #1. Le nozze di Figaro, K. 492: Overture (arr. Janoska Ensemble) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Le nozze di Figaro, K. 492: Overture (arr. Janoska Ensemble) by Janoska Ensemble having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Nocturne in C-Sharp Minor, Op. Posth., B. 49 | Yoko Ara, Takehiko Yamada | D♭ Minor | 1 | 12A | 90 BPM | ||
A Sentimental Mood | Carrie Baynes | F Major | 1 | 7B | 120 BPM | ||
8 Valses poéticos, H. 136 (Arr. for Cello & Guitar by Anonymous): No. 1, Melodico | Enrique Granados, André Fischer, Sébastien Singer | A Major | 1 | 11B | 108 BPM | ||
Requiem | Marcel Barsotti | A Minor | 1 | 8A | 80 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Love Gone with Autumn Behind | Choonsuk Park, Werner Thomas-Mifune, Carmen Piazzini | E Minor | 0 | 9A | 98 BPM | ||
Schumann: 3 Romances, Op. 94: No. 1 Nicht schnell | Robert Schumann, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | D Minor | 3 | 7A | 138 BPM |