"Nocturne in C-Sharp Minor, Op. Posth., B. 49" by Yoko Ara, Takehiko Yamada was released on June 1, 2018. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Smile". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. In terms of popularity, Nocturne in C-Sharp Minor, Op. Posth., B. 49 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne in C-Sharp Minor, Op. Posth., B. 49 by Yoko Ara, Takehiko Yamada having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spring, WN 52a | Unknown, Frédéric Chopin, Janusz Olejniczak | G Minor | 0 | 6A | 68 BPM | ||
Lili'uokalani: アロハ・オエ | クイーン・リリウオカラニ, Mariko Senju, 山洞 智 | B♭ Major | 1 | 6B | 119 BPM | ||
Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | F Major | 0 | 7B | 76 BPM | ||
Another Day of Sun (From "La La Land") | Yoko Ara, Takehiko Yamada | C Major | 1 | 8B | 77 BPM | ||
Nostalgia | José Siqueira, Guilherme Andreas, Gianne Ge Zhu | A♭ Minor | 2 | 1A | 74 BPM | ||
12 Romances, Op.21 No.7: How fair this spot | Sergei Rachmaninoff, John-Henry Crawford, Victor Santiago Asuncion | F♯ Minor | 0 | 11A | 89 BPM | ||
6 Studien in kanonischer Form, Op. 56: III. Andantino | Robert Schumann, Theodor Kirchner, Trio Karénine | E Minor | 0 | 9A | 170 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM |