"12 Romances, Op.21 No.7: How fair this spot" by Sergei Rachmaninoff, John-Henry Crawford, Victor Santiago Asuncion was released on June 9, 2023. The duration of 12 Romances, Op.21 No.7: How fair this spot is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 12 Romances, Op.21 No.7: How fair this spot's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voice of Rachmaninoff by Sergei Rachmaninoff, John-Henry Crawford, Victor Santiago Asuncion. The song's track number on the album is #2 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. 12 Romances, Op.21 No.7: How fair this spot is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 12 Romances, Op.21 No.7: How fair this spot by Sergei Rachmaninoff, John-Henry Crawford, Victor Santiago Asuncion has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 12 Romances, Op.21 No.7: How fair this spot being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
ヴァイオリン・ソナタ第1番 ニ短調 Op. 75: II. Adagio | Camille Saint-Saëns, 尾池亜美, 佐野隆哉 | C Major | 1 | 8B | 180 BPM | ||
Vocalise Op. 34 No. 14 | Arts Music Recording, Rotterdam, Idith Zvi, Gil Sharon, Sergei Rachmaninoff | E Minor | 1 | 9A | 87 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Études-Tableaux, Op. 33: No. 7 in G Minor (Moderato) | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Major | 0 | 3B | 71 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
6 Studien in kanonischer Form, Op. 56: III. Andantino | Robert Schumann, Theodor Kirchner, Trio Karénine | E Minor | 0 | 9A | 170 BPM | ||
6 Morceaux, Op. 83: I. Elégie | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
Five Melodies, Op. 35b: II. Lento, ma non Troppo | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 1 | 10B | 67 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM |